Jenny Raskin
In many cases members give significantly more money than suggested.
© Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Jennifer Raskin (November 24, 1969) is a film and television producer and director.
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Selected titles are sent to Impact’s 43 high-net-worth members — multi-millionaires, and in some cases, billionaires — who seek to promote social change through nonfiction film.
Those members then choose on an individual basis what films they will get behind. View the profiles of people named Jenny Raskin. Every year the org helps fund between eight and 15 documentaries chosen from a pool of 900 nonfiction projects looking for finishing money.
Certain controversial, politically challenging or artistically daring films will need champions who do not have to answer to shareholders and who will embrace the goals of afflicting the comfortable and comforting the afflicted. Find Jenny Raskin movies, filmography, bio, co stars, photos, news and tweets.
He went to Impact Partners for development funding for his most recent feature “Assassins.” About the assassination of Kim Jong-nam, the half brother of the North Korean leader, the doc will premiere at the Sundance Film Festival later this month.“We were able to secure money for him to develop that project last year at Sundance,” Dreyfous recalls. Peabody Award-nominated and Television Academy Honors documentary 16 Shots and director Impact’s equity investments in a single film range anywhere from $25,000 to $2.25 million.In its tenure, Impact Partners has helped finance and produce over 100 documentary features. “If you were incredibly lucky you got to work with HBO. Raskin replaces Impact co-founder Dan … Jenny Raskin, Producer: Here Come the Videofreex. Jenny Raskin has been named executive director of Impact Partners, a documentary film funding company.
One of the largest investment portfolios in the independent nonfiction sector, Impact Partners was founded and launched in 2007 by Cogan, Dreyfous as well as Diana Barrett, Jim Swartz and Susan Swartz. Read Next: Norman Lear, Lyn Lear to Keynote Episode 2 of Variety Streaming Room ‘Sustainability in Hollywood’
But documentaries are inherently risk-taking adventures.
Today, huge multinational corporations like Netflix, Apple, Amazon, HBO Max as well as HBO, and the newly acquired Disney brands of Hulu and NatGeo dominate the documentary funding and distribution space.”He continued, “The net result of this shift has been immensely positive for filmmakers, but it also means that these large corporations will bring their own lenses to the kinds of films they want to make and distribute. “We can move fast if we believe in the filmmaker. “They are looking at numbers and are naturally going to be risk averse in some ways.
There's a lot to love about Hulu's streaming offerings this month—get excited for brand-new series and old favorites. Together Raskin, Dreyfous and Haber will not only run Impact’s finishing fund film projects, but also the org’s new development investment initiative.Launched last year, Impact’s development fund provides funding to support documentary features and series before production has begun. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy. Jenny Raskin. There is no exclusivity here. Jenny has 6 jobs listed on their profile.
And we believe in Ryan.
Prior to that she freelanced for the funder, which invests between $4 and $5 million of equity money into social issue docs per year. “Story Syndicate can bring Impact Partners projects that are looking for financing, and Impact Partners can bring Story Syndicate projects from directors that it wants to finance but which need a production home. LinkedIn is the world's largest business network, helping professionals like jenny Raskin discover inside connections to recommended job candidates, industry experts, and business partners. We believe in you.’”While the current demand for nonfiction feature and series content is at an all time high due to streamers like Netflix and Amazon, Dreyfous, Raskin and Cogan say that getting development money for risky, political fare like “Assassins” will continue to be difficult due to the current nonfiction landscape.“When we started [Impact] the major funding sources for documentaries were public television and philanthropic and institutional grants,” Cogan said. In her new role Raskin is charged with leading the day-to-day operations at Impact.“In the past I was on the creative, curatorial side and working directly with our filmmakers,” Raskin said.
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