take the "a" train
Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP competitor BMI to "write a whole new book for the band," Mercer recalled. The tune is in AABA form, in the key of C, with each section being a lyric couplet. Arranger Vince Gassi offers a fresh take on this classic, yet captures the essence of this well-known Strayhorn composition made famous by Ellington. TAKE THE "A" TRAIN, as a song and musical composition, would become the Duke's signature piece. Nance is also responsible for the trumpet solo on the first recording, which was so well suited for the song that it has often been duplicated note for note by others. Discuss the list here Refine See titles to watch instantly, titles you haven't rated, etc. With Rishi Mehta, Kerry Washington, Noah Perabo, Richard Keith. I usually take a train when I go to New York. For many more Duke Ellington releases go to:http://bit.ly/1bcDSuYIn the early 1960's the Goodyear Tire Company commisioned 5 short jazz films. On his journey, he comes of age, meeting a diverse group of people, from a random business man to Keisha, a girl he inevitably falls for. From the Album Best of Duke Ellington 4.1 out of 5 stars 7 ratings. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. Think of Take the "A" Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Take the A Train. To enjoy Prime Music, go to Your Music Library and transfer your account to … by yrnej | created - 27 Jul 2014 | updated - 28 Jul 2014 | Public The new film Snowpiercer is set on a train. The piece is often attributed to Duke himself but history tells us Billy Strayhorn is the actual composer. After being handcuffed to New York City's 'A' train by his prep school friends, young Karim is forced to ride all the way to the last stop, Far Rockaway. Directed by Amyn Kaderali. This is a segment from the film Reveille with Beverly from 1943; the song was composed in 1939. The melody itself is answered by engagingly syncopated responses from the trumpet and trombone sections. Take the 'A' Train Billy Strayhorn/arr. Vince Gassi - Alfred Publishing Belwin Division This chart swings all the way and is very playable by a young jazz ensemble. [1], The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). "Take the 'A' Train" was composed in 1939, after Ellington offered Strayhorn a job in his organization and gave him money to travel from Pittsburgh to New York City. Playalong Jazz Playalongs Duke Ellington Take the A Train : Chord Chart and Playalong Jam Track Duke Ellington Duke Ellington Take the A Train : Chord Chart and Playalong Jam Track Duke Ellington Take the A Train : Chord Chart and Playalong Jam Track Duke Ellington was one of the architects of the big band era and, as pianist, composer and bandleader, was one of the most vital musical figures in 20th-century history. Duke EllingtonThe Fabulous Swing Collection - More Fabulous Swing℗ Originally Recorded 1941. In fact, he said that the music and lyrics for "Take the A Train," originally recorded on February 15, 1941 by Ellington for Victor Records, came more quickly than the subject of the song itself – the New York subway line to the Sugar Hill District of Harlem. that is snappy but oddly dissonant in the whole-tone bars. [4][circular reference]. At the time, there was an ongoing ASCAP strike, and Ellington could not release his own compositions. The tune became the signature number for Duke Ellington and his orchestra, as well as the official song of New York City. The title refers to the, at the time, new A train service in New York City. Strayhorn was a great fan of Fletcher Henderson's arrangements. It is in the key of C major, so identifying chromatic tones is easy; It is a thirty-two bar, AABA form, which is incredibly common The song was performed by Ellington and the band in the 1943 film Reveille with Beverly with vocalist Betty Roche. She made up the words at her home in Detroit, while the song played on the radio. Take The “A” Train (Strayhorn) by Duke Ellington and his Famous OrchestraOriginal recording of the famed Ellington theme. Swinging Suites by Edward E. and Edward G. Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York, Studio Sessions New York & Chicago, 1965, 1966 & 1971, The Carnegie Hall Concerts: December 1944, The Carnegie Hall Concerts: December 1947, It Don't Mean a Thing If It Ain't Got That Swing, Ella Fitzgerald Sings the Duke Ellington Song Book, It Don't Mean a Thing (If It Ain't Got That Swing), Just Squeeze Me (But Please Don't Tease Me), https://en.wikipedia.org/w/index.php?title=Take_the_%22A%22_Train&oldid=1014455164, Articles needing additional references from September 2013, All articles needing additional references, Short description is different from Wikidata, Articles that include images for deletion from April 2021, Articles lacking reliable references from February 2021, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 March 2021, at 05:14. The sound was recorded in professional stereo. Strayhorn was a soda jerk and drugstore delivery boy by day, a … Take The A Train was written in 1939 by Billy Strayhorn for the Duke Ellington Orchestra. By Billy Strayhorn / arr. It was so easy for … "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Duke Ellington & His Famous Orchestra. Jazz Ensemble Conductor Score & Parts. Ironically, this is as complicated as the arrangement gets. Alan Baylock. (The Ellington band's version begins in C and rises to the key of E♭ after the second chorus.). The first game in the series was published in 1985. "Take The A Train" - Duke Ellington, 1939 (swing jazz) In 1939, pianist Billy Strayhorn wrote a song that would soon become the national anthem of the New York City subway transit system. 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